Altars by Albrecht Dürer
The German artista Albrecht Dürer (1471-1528) painted altars for churches.
O germânico Albrecht Dürer (1471-1528) pintou altares para igrejas.
Albrecht Dürer (1471-1528)-‘Paumgartner Altar’-oil on panel-ca 1500 München-Alte Pinakothek
Albrecht Dürer (1471-1528) and Jobst Harich (1579-1617)-‘Heller Altarpiece’ Frankfurt-Historiches Museum
Albrecht Dürer (1471-1528)-‘Marienaltar’-oil on canvas-ca 1496 Dresden-Gemäldegalerie
Albrecht Dürer (1471-1528)-‘Landauer Altar’-oil on wood-1511 Wien-Kunsthistoriches Museum
Albrecht Dürer (1471-1528)-‘Jarbach Altar’-oil on panel-ca 1503 Frankfurt-Kunstinstitut und Städtlische
O germânico Albrecht Dürer (1471-1528) pintou altares para igrejas.
Albrecht Dürer (1471-1528)-‘Paumgartner Altar’-oil on panel-ca 1500 München-Alte Pinakothek
Albrecht Dürer (1471-1528) and Jobst Harich (1579-1617)-‘Heller Altarpiece’ Frankfurt-Historiches Museum
Albrecht Dürer (1471-1528)-‘Marienaltar’-oil on canvas-ca 1496 Dresden-Gemäldegalerie
Albrecht Dürer (1471-1528)-‘Landauer Altar’-oil on wood-1511 Wien-Kunsthistoriches Museum
Albrecht Dürer (1471-1528)-‘Jarbach Altar’-oil on panel-ca 1503 Frankfurt-Kunstinstitut und Städtlische
16.8.16
Agriculture by Master of Fitzwilliam
Pietro de' Crescenzi (1233-1321) wrote “Le Livre des profits champêtres et ruraux” whose MS 268 features illuminations by Master of Fitzwilliam (active 1470).
Pietro de’ Crescenzi (1233-1321) escreveu “Le Livre des profits champêtres et ruraux”, cujo Ms 268 apresenta iluminuras de Master of Fitzwilliam (active 1470).
Master of Fitzwilliam (active 1470)-‘on herb gardens’ Cambridge(UK)- Fitzwilliam Museum (book 6, folio 157)
Master of Fitzwilliam (active 1470)-‘on trees’ Cambridge(UK)- Fitzwilliam Museum (book 5, folio 112v)
Master of Fitzwilliam (active 1470)-‘on meadows and groves’ Cambridge(UK)- Fitzwilliam Museum (book 5, folio 291v)
Master of Fitzwilliam (active 1470)-‘on hunting’ Cambridge(UK)- Fitzwilliam Museum (book 10, fol 265r)
Master of Fitzwilliam (active 1470)-‘on pleasures gardens’ Cambridge(UK)- Fitzwilliam Museum (book 8, folio 205v)
Pietro de’ Crescenzi (1233-1321) escreveu “Le Livre des profits champêtres et ruraux”, cujo Ms 268 apresenta iluminuras de Master of Fitzwilliam (active 1470).
Master of Fitzwilliam (active 1470)-‘on herb gardens’ Cambridge(UK)- Fitzwilliam Museum (book 6, folio 157)
Master of Fitzwilliam (active 1470)-‘on trees’ Cambridge(UK)- Fitzwilliam Museum (book 5, folio 112v)
Master of Fitzwilliam (active 1470)-‘on meadows and groves’ Cambridge(UK)- Fitzwilliam Museum (book 5, folio 291v)
Master of Fitzwilliam (active 1470)-‘on hunting’ Cambridge(UK)- Fitzwilliam Museum (book 10, fol 265r)
Master of Fitzwilliam (active 1470)-‘on pleasures gardens’ Cambridge(UK)- Fitzwilliam Museum (book 8, folio 205v)
15.8.16
Women working by Claude Bail
The French artist Claude-Joseph Bail (1862-1921) painted about women’s work.
O francês Claude-Joseph Bail (1862-1921) pintou sobre trabalhos femininos.
Claude-Joseph Bail (1862-1921) - ‘the farmyard’-oil on canvas Private collection
Claude-Joseph Bail (1862-1921) - ‘an interior with women polishing brass’ -oil on canvas Private collection
Claude-Joseph Bail (1862-1921) - ‘setting in the table’ Private collection
Claude-Joseph Bail (1862-1921) - ‘women sewing in found of her cottage’ Private collection
Claude-Joseph Bail (1862-1921) - ‘the milkmaid’ Private collection
O francês Claude-Joseph Bail (1862-1921) pintou sobre trabalhos femininos.
Claude-Joseph Bail (1862-1921) - ‘the farmyard’-oil on canvas Private collection
Claude-Joseph Bail (1862-1921) - ‘an interior with women polishing brass’ -oil on canvas Private collection
Claude-Joseph Bail (1862-1921) - ‘setting in the table’ Private collection
Claude-Joseph Bail (1862-1921) - ‘women sewing in found of her cottage’ Private collection
Claude-Joseph Bail (1862-1921) - ‘the milkmaid’ Private collection
14.8.16
The UK by Augustus Callcott
The British artist Augustus Wall Callcott (1779-1844) represented some landscapes of his homeland.
O britânico Augustus Wall Callcott (1779-1844) representou locais do seu país.
Augustus Wall Callcott (1779-1844)-‘an extensive view of Oxford from Elsfield’-oil on canvas-1800 Oxford-Worchester College
Augustus Wall Callcott (1779-1844)-‘Harlech Castle’-oil on canvas Birkenhead-William Art Gallery and Museum
Augustus Wall Callcott (1779-1844)-‘Streatley-on-Thames, Berkshire’-oil on canvas Russell-Cottes Art Gallery and Museum
Augustus Wall Callcott (1779-1844)-‘Windsor Castle from the Old Bridge’-oil on canvas-ca 1830 Newcastle-Upon-Tyne-Layng Art Gallery
Augustus Wall Callcott (1779-1844)-‘view of Greenwich Hospital and the river Thames taken on the Isle of Dogs’-oil on canvas-1827 London-Sir John Soane’s Museum
O britânico Augustus Wall Callcott (1779-1844) representou locais do seu país.
Augustus Wall Callcott (1779-1844)-‘an extensive view of Oxford from Elsfield’-oil on canvas-1800 Oxford-Worchester College
Augustus Wall Callcott (1779-1844)-‘Harlech Castle’-oil on canvas Birkenhead-William Art Gallery and Museum
Augustus Wall Callcott (1779-1844)-‘Streatley-on-Thames, Berkshire’-oil on canvas Russell-Cottes Art Gallery and Museum
Augustus Wall Callcott (1779-1844)-‘Windsor Castle from the Old Bridge’-oil on canvas-ca 1830 Newcastle-Upon-Tyne-Layng Art Gallery
Augustus Wall Callcott (1779-1844)-‘view of Greenwich Hospital and the river Thames taken on the Isle of Dogs’-oil on canvas-1827 London-Sir John Soane’s Museum
13.8.16
The Hague by Floris Arntzenius
The Dutch artist Floris Arntzenius (1864-1925) showed aspects of the city of The Hague.
O holandês Floris Arntzenius (1864-1925) mostrou aspetos da cidade de Haia.
Floris Arntzenius (1864-1925)-‘Mauritshuis in Den Haag’
Floris Arntzenius (1864-1925)-‘Bierkade in Den Haag-
Floris Arntzenius (1864-1925)-‘Vierkade, Den Haag’
Floris Arntzenius (1864-1925)-‘canal Brouwersgracht in The Hagie’
Floris Arntzenius (1864-1925)-‘butchers boy in street, Den Haag’
O holandês Floris Arntzenius (1864-1925) mostrou aspetos da cidade de Haia.
Floris Arntzenius (1864-1925)-‘Mauritshuis in Den Haag’
Floris Arntzenius (1864-1925)-‘Bierkade in Den Haag-
Floris Arntzenius (1864-1925)-‘Vierkade, Den Haag’
Floris Arntzenius (1864-1925)-‘canal Brouwersgracht in The Hagie’
Floris Arntzenius (1864-1925)-‘butchers boy in street, Den Haag’
12.8.16
Shugborough Hall by Nicholas Dall
The Danish artist Nicholas Thomas Dall (1748-1777) painted Shugborough Hall laicized by Henry VIII.
O dinamarquês Nicholas Thomas Dall (1748-1777) pintou Shugborough Hall laicizado por Henrique VIII.
Nicholas Thomas Dall (1748-1777)-‘the ruins, Shugborough’-oil on canvas-1775 Great Haywood (UK)-Shugborough Hall-National Trust
Nicholas Thomas Dall (1748-1777)-‘the west front of Shugborough’-oil on canvas-1768 Great Haywood (UK)-Shugborough Hall-National Trust
Nicholas Thomas Dall (1748-1777)-‘an extensive view of Shugborough Park and its monuments’-oil on canvas-1768 Great Haywood (UK)-Shugborough Hall-National Trust
Nicholas Thomas Dall (1748-1777)-‘a view of Shugborough and the Park from the east’-oil on canvas-1768 Great Haywood (UK)-Shugborough Hall-National Trust
Nicholas Thomas Dall (1748-1777)-‘Oakesge Hall, Colwich’-oil on canvas-1775 Great Haywood (UK)-Shugborough Hall-National Trust
O dinamarquês Nicholas Thomas Dall (1748-1777) pintou Shugborough Hall laicizado por Henrique VIII.
Nicholas Thomas Dall (1748-1777)-‘the ruins, Shugborough’-oil on canvas-1775 Great Haywood (UK)-Shugborough Hall-National Trust
Nicholas Thomas Dall (1748-1777)-‘the west front of Shugborough’-oil on canvas-1768 Great Haywood (UK)-Shugborough Hall-National Trust
Nicholas Thomas Dall (1748-1777)-‘an extensive view of Shugborough Park and its monuments’-oil on canvas-1768 Great Haywood (UK)-Shugborough Hall-National Trust
Nicholas Thomas Dall (1748-1777)-‘a view of Shugborough and the Park from the east’-oil on canvas-1768 Great Haywood (UK)-Shugborough Hall-National Trust
Nicholas Thomas Dall (1748-1777)-‘Oakesge Hall, Colwich’-oil on canvas-1775 Great Haywood (UK)-Shugborough Hall-National Trust
11.8.16
Russia-Ukraine by Konstantin Trutovsky
The Ukrainian artist Konstantin Alexandrovich Trutovsky (1826-1893) painted about Russia and about his homeland.
O ucraniano Konstantin Alexandrovich Trutovsky (1826-1893) pintou temas russos e da sua região.
Konstantin Alexandrovich Trutovsky (1826-1893)-‘settlers from the Kursk region’-oil on canvas-1864 St Petersburg-Russian Museum
Konstantin Alexandrovich Trutovsky (1826-1893)-‘collecting Money for the dhurch’-oil on canvas-1863
Konstantin Alexandrovich Trutovsky (1826-1893)-‘at the well’-oil on canvas
Konstantin Alexandrovich Trutovsky (1826-1893)-‘dance in the Kursk Region’-oil on canvas-1860 Moscow-Tretyakov Gallery
Konstantin Alexandrovich Trutovsky (1826-1893)-‘village teacher’-oil on canvas-1883 Kazan-State Museum of Fine Arts of Tatarstan Republic
O ucraniano Konstantin Alexandrovich Trutovsky (1826-1893) pintou temas russos e da sua região.
Konstantin Alexandrovich Trutovsky (1826-1893)-‘settlers from the Kursk region’-oil on canvas-1864 St Petersburg-Russian Museum
Konstantin Alexandrovich Trutovsky (1826-1893)-‘collecting Money for the dhurch’-oil on canvas-1863
Konstantin Alexandrovich Trutovsky (1826-1893)-‘at the well’-oil on canvas
Konstantin Alexandrovich Trutovsky (1826-1893)-‘dance in the Kursk Region’-oil on canvas-1860 Moscow-Tretyakov Gallery
Konstantin Alexandrovich Trutovsky (1826-1893)-‘village teacher’-oil on canvas-1883 Kazan-State Museum of Fine Arts of Tatarstan Republic
10.8.16
Rome by Jan Asselijn
The Dutch artist Jan Asselijn (ca 1610-1652) painted important landscapes of Rome.
O holandês Jan Asselijn (ca 1610-1652) pintou locais de Roma.
Jan Asselijn (ca 1610-1652)-‘river (Tiber) with the church of Santi Giovanni and Paolo (Monte Celio)’-oil on canvas-ca 1650 Cardiff-Amgueddfa Cymru
Jan Asselijn (ca 1610-1652)-‘the Tiber river with Ponte Molle at sunset’-oil on canvas-ca 1650 Washington (DC)-National Gallery of Art
Jan Asselijn (ca 1610-1652)-‘view of the Arch of Constantine, seen from the Colosseum’-drawing-ca 1652 Harvard (Mass.)-Fogg Museum of Art
Jan Asselijn (ca 1610-1652)-‘view of the Ponte Molle, Rome’-oil on panel-ca 1645 San Francisco-Fine Art Museums
Jan Asselijn (ca 1610-1652)-‘view of the Ponte Rotto and Trastevere’-ca 1645 Amsterdam-Rijksmuseum
O holandês Jan Asselijn (ca 1610-1652) pintou locais de Roma.
Jan Asselijn (ca 1610-1652)-‘river (Tiber) with the church of Santi Giovanni and Paolo (Monte Celio)’-oil on canvas-ca 1650 Cardiff-Amgueddfa Cymru
Jan Asselijn (ca 1610-1652)-‘the Tiber river with Ponte Molle at sunset’-oil on canvas-ca 1650 Washington (DC)-National Gallery of Art
Jan Asselijn (ca 1610-1652)-‘view of the Arch of Constantine, seen from the Colosseum’-drawing-ca 1652 Harvard (Mass.)-Fogg Museum of Art
Jan Asselijn (ca 1610-1652)-‘view of the Ponte Molle, Rome’-oil on panel-ca 1645 San Francisco-Fine Art Museums
Jan Asselijn (ca 1610-1652)-‘view of the Ponte Rotto and Trastevere’-ca 1645 Amsterdam-Rijksmuseum
9.8.16
Profane motifs by Giocchino Assereto
The Italian artist Gioacchino Assereto (1600-1644) painted some mythological themes.
O italiano Giocchino Assereto (1600-1644) pintou alguns temas mitológicos.
Giocchino Assereto (1600-1644)-‘Circe mulling wine’-oil on canvas-ca 1630 Dayton (Ohio)-Art Institute
Giocchino Assereto (1600-1644)-‘death of Cato’-oil on canvas-1640 Genova-Palazzo Rossi
Giocchino Assereto (1600-1644)-‘Diogenes with his lantern’-oil on canvas Kedleston Hall-National Trust
Giocchino Assereto (1600-1644)-‘the torture of Prometheus’ Douai (France)-Musée de la Chartreuse
Giocchino Assereto (1600-1644)-‘Tantalus’-oil on canvas-ca 1640 Auckland Art Gallery
O italiano Giocchino Assereto (1600-1644) pintou alguns temas mitológicos.
Giocchino Assereto (1600-1644)-‘Circe mulling wine’-oil on canvas-ca 1630 Dayton (Ohio)-Art Institute
Giocchino Assereto (1600-1644)-‘death of Cato’-oil on canvas-1640 Genova-Palazzo Rossi
Giocchino Assereto (1600-1644)-‘Diogenes with his lantern’-oil on canvas Kedleston Hall-National Trust
Giocchino Assereto (1600-1644)-‘the torture of Prometheus’ Douai (France)-Musée de la Chartreuse
Giocchino Assereto (1600-1644)-‘Tantalus’-oil on canvas-ca 1640 Auckland Art Gallery
8.8.16
Plains by Pieter van Asch
The Dutch artist Pieter Janszoon van Asch (1603-1678) painted scenes on plains.
O holandês Pieter Janszoon van Asch (1603-1678) pintou cenas em planícies.
Pieter Janszoon van Asch (1603-1678)-‘the Delft city Wall with the Houtuinen’-oil on canvas-1650 Private collection
Pieter Janszoon van Asch (1603-1678)-‘a forest with riders’-oil on panel Private collection
Pieter Janszoon van Asch (1603-1678)-‘pastoral’-oil on canvas-1640 Winnipeg-Art Gallery
Pieter Janszoon van Asch (1603-1678)-‘scene at the edge of a wood’-oil on canvas Santa Ana (Calif.)-Bowers Museum
Pieter Janszoon van Asch (1603-1678)-‘river’-oil on panel.ca 1650 Amsterdam-Rijksmuseum
O holandês Pieter Janszoon van Asch (1603-1678) pintou cenas em planícies.
Pieter Janszoon van Asch (1603-1678)-‘the Delft city Wall with the Houtuinen’-oil on canvas-1650 Private collection
Pieter Janszoon van Asch (1603-1678)-‘pastoral’-oil on canvas-1640 Winnipeg-Art Gallery
Pieter Janszoon van Asch (1603-1678)-‘scene at the edge of a wood’-oil on canvas Santa Ana (Calif.)-Bowers Museum
Pieter Janszoon van Asch (1603-1678)-‘river’-oil on panel.ca 1650 Amsterdam-Rijksmuseum
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