Carolus Durand

Alexandre-Evariste Fragonard

Antoine Watteau

Old man (anonymous)

Edmund Blair Leighton

A.A. Yegorov

Boris Zvorykin

Natan Altman

André Derain

Monograffi Fine Art Galleries ~  Andre Derain - (1880-1954)  ~           Andre Derain was an important and influencial French painter, whose work evolved considerably during the first three decades of the 20th Century. He was a co-founder, with Henri Matisse, of Fauvism in 1905. However, just before the outbreak of World War I, Derain became re-interested in the works of the Old Masters, and the styles that he developed going forward increasingly were informed by classical and neo-classical art.               Portrait of Madame Kahnweiler (1913)    Portrait of Madame Paul Guillaume in a Large Hat (c1928-9)   The Italian Model (1921)               Two Sisters (1913)   Harlequin and Pierrot (1924)   Portrait of Alice Derain (1921)

Christian Schad

Monograffi Fine Art Galleries ~  Christian Schad ~           Many writers consider Christian Schad the most significant Magic Realist of the Weimar era. After brief involvements with Cubism and Dada, Schad traveled twice to Italy, settling in Rome and Naples for several years, from 1922-25. During this period he studied firsthand the works on the Italian Masters, including Raphael and Agnolo Bronzino. In 1925 he moved his family to Vienna. Following his separation from his first wife Marcella in 1927, he moved to Berlin.         A study of Schad's paintings provides some insight into the artistic approaches of the Magic Realist. Many of his compositions are collage-style collections of memories, symbolic content and pictorial elements skillfully assembled into unified works of art. His background in photography is frequently evident by the cropping of background objects. Schad is always interested in revealing the persona of his subjects, but in a seemingly detached and unsentimental manner. His paintings always exhibit a refined detail and tonal control, derived from his study of the Old Masters. Yet his subject material is decidedly contemporary, and reveal his interest in the phenomenological aspects of life.               Self-Portrait (1927)   Agosta, the Winged Man &  Rasha, Black Dove (1929)   Count St. Genois d'Anneaucourt (1927)               Portrait of Egon Erwin Kisch (1928)   The Poet Ludwig Baumer (1927)   Composer Josef Matthias Hauer (1929)               Triglion (Imperial Countess Triangi-Taglioni) (1926)   Marcella (Marcella Schad) (1926)   Mexican Girl (Erlinda Ponce de Leon) (1930)             Baroness Vera Wassilko (1926)   Nikolaus (1925)   The Pianist Anna Gabionetta (1927)               Maria And Annunziata Del Puert (1923)   Tower of Pisa (1971)   Portrait of an Englishman (Roger Money-Kyrle) (1927)               Sonja (1928)   Operation (1929)    Frieda Cornelius (1928)           Pavonia (1966)   Carl Laszlo (1974)    Zigeunerkinder (1923)         Lotte (1927-28)   Notturno (1952)    Werdandi (1979)           Iris Garden (1968)   Die Umgebung (1967) (click to enlarge)   Dr. Haustein (1928)

Witte de Withhof

Fredy Pacheco

Thomas Hart Benton

Ubaldo Oppi